DVD Review - The Evil Dead 2 (Book Of The Dead Limited Edition)

Writer-director Sam Raimi's extremely stylized, blood-soaked follow-up to his creepy Evil Dead isn't really a sequel; rather, it's a remake on a better budget. It also isn't really a horror film (though there are plenty of decapitations, zombies, supernatural demons, and gore) as much as it is a hilarious, sophisticated slapstick send-up of the terror genre. Raimi takes every horror convention that exists and exaggerates it with mind-blowing special effects, crossed with mocking Three Stooges humor. The plot alone is a genre cliché right out of any number of horror films. Several teens (including our hero, Ash, played by Bruce Campbell in a manic tour-de-force of physical comedy) visit a broken-down cottage in the woods--miles from civilization--find a copy of the Book of the Dead, and unleash supernatural powers that gut every character in sight. All, that is, except Ash, who takes this very personally and spends much of the of the film getting his head smashed while battling the unseen forces. Raimi uses this bare-bones story as a stage to showcase dazzling special effects and eye-popping visuals, including some of the most spectacular point-of-view Steadicam work ever (done by Peter Deming). Although it went unnoticed in the theaters, the film has since become an influential cult-video favorite, paving the way for over-the-top comic gross-out films like Peter Jackson's Dead Alive. --Dave McCoy

DVD Review - Frasier - The Complete Sixth Season

FRASIER – THE COMPLETE SIXTH SEASON is a half-hour comedy series set in Seattle, which chronicles the lives of an eloquently pompous radio show host, Dr. Frasier Crane, (Grammer), his competitive, high-brow brother Niles (Hyde Pierce), their crotchety father Martin (Mahoney) and Martin’s semi-psychic, live-in home-care provider, Daphne (Leeves). The show made history by becoming the first series, comedy or drama, to achieve a record five consecutive Emmy wins for Outstanding Comedy Series.

DVD Review - The Hitchhiker's Guide to the Galaxy (Widescreen Edition)

Don't panic! After twenty years stuck in development (a mere blink compared to how long it takes to find the answer to life, the universe, and everything), The Hitchhiker's Guide to the Galaxy has finally been turned into a movie. Following the radio play, TV series, commemorative towel, and books, this latest installment in the sci-fi-comedy franchise is based on the screenplay and detailed notes by Douglas Adams.

Hitching a ride.
For those unfamiliar with the story, everyman Arthur Dent (Martin Freeman) wakes up one morning to discover that his house is set to be demolished to make room for a bypass. Little does he know the entire planet Earth is also set to be destroyed for an interplanetary bypass by the Vogons, a hideous and bureaucratic race of aliens realized in the film by Jim Henson's Creature Shop. Whisked off the planet by his best friend, alien-in-disguise Ford Prefect (Mos Def), Dent embarks on a goofy jaunt across the galaxy accompanied by his trusty Hitchhiker's Guide, which looks like a really fancy PDA.

The guide itself provides some of the funniest bits of the movie, little animated shorts that explain the ludicrous life forms and extraterrestrial phenomena our heroes encounter. Along the way Arthur meets the two-headed party animal/president of the galaxy Zaphod Beeblebrox (Sam Rockwell) and develops an unrequited crush on fellow earthling Trillian (Zooey Deschanel). The creatures and sets are inspired and answer to the sci-fi fan's primal need to see lots and lots of cool stuff. In particular, there's John Malkovich's creepy, CGI-enhanced Humma Kavula. He's a guru leading a religion that worships the gigantic nose that allegedly sneezed the universe into existence (naturally all their prayers end not with "Amen" but with "Bless you.") The aliens the team encounters are inspired creations, eminently worthy of action figure-ification, and the sets belie an attention to detail worthy of freeze-framing. Fans of the other Hitchhiker manifestations, namely the British TV series, will be amused by a number of in-jokes sprinkled throughout the movie.

Concept art: The Heart of Gold pod on the planet Vogsphere
Where the story stumbles is in the telling--as books, the Hitchhiker's Guide was foremost about goofy and brilliant ideas that raised questions about our place in the universe while getting a laugh. The cast seems at times bewildered, at least when Sam Rockwell isn't picking pieces of scenery out of his teeth, perhaps a natural reaction to an adaptation of a book with no traditional plot. The movie has enough trouble figuring out how to get the characters from one fantastical location to the next that Adams's funniest concepts often feel left in the dust. While the reverence the filmmakers felt toward Adams's legacy is apparent, one wonders what we could have expected had the creator of this science fiction universe lived to see it with his own eyes. -- Ryan Boudinot

DVD Review - 28 Days Later (Widescreen Edition)

Customer Review

28 MINUTES LATER AND I WANT MY MONEY BACK

Probably the worst this genre has to offer. Hard to believe the critical raves for this when you look at what was to follow: the hilarious homage to zombies, SHAUN OF THE DEAD, the creepy and gory remake of DAWN OF THE DEAD, and of course, Romero the master's recent, LAND OF THE DEAD. I can't wait for the unrated version on October 18th.

Someone had the idea to make the zombies move fast. Great idea, but it would have been better if they had actually SHOWED A FEW MORE ZOMBIES!! The remake of DAWN OF THE DEAD did this with a devasting hold-on-to-your-seats-folks-these-zombies-are-moving-fast effect. Someone also had the idea of having a band of survivors meet some psychotic soldiers. But, these rapists can't compare to the brilliantly repugnant Rhodes and Steele of Romero's DAY OF THE DEAD. Nice try, guys. But, ROMERO DID IT FIRST!! And much much better.

This flick is full of style, little substance, very little or no flesh-eating, and no story. This film is unoriginal, boring, and DEAD on arrival. Here's a little rule to follow when making a horror movie with zombies: PUT SOME HORROR IN IT!!! I saw this a few years ago and just recently and I still can't figure out what all the fuss was about. This one is strictly for the living dead. Go figure.

LOOKING FOR THE BEST OF GENRE? SEE:

NIGHT OF THE LIVING DEAD (The original and the Savini remake.)
DAWN OF THE DEAD (The original and the remake.)
DAY OF THE DEAD (Romero's BEST. Tense, gory, and hilarious.)
LAND OF THE DEAD unrated version (Romero's last)
SHAUN OF THE DEAD
RETURN OF THE LIVING DEAD
and
ZOMBIE

I know I'm mostly alone here, but for some awesome stylized action horror, RESIDENT EVIL and RESIDENT EVIL APOCALYPSE are also on my list. They don't really fit into the UNDEAD genre, but they have a style and charm all their own. Not meant for true ZOMBIE fans, but a must for fans of the game series.

DVD Review - The Doctor and the Devils

Two psychotic men need to kill. A mad scientist needs fresh bodies. Together the three terrorize England. Based on the writings of Dylan Thomas.

Customer Review

The Devil You Say --

Based on a true story, The Doctor and the Devils present several fine performances by outstanding actors including Timothy Dalton, Patrick Stewart, Jonathan Pryce, Stephen Rea, and Julian Sands. Nineteenth century medicine for one forward thinking physician, Dr. Roc (Dalton), was the fight to teach medicine as science that relied on empirical fact and first hand observation, not folk lore nor religious philosophy. His primary source was fresh cadavers, the fresher the better. Alas, the Victorian mind-set was in the dark ages and regulated the number of cadaver's faculty used for teaching. Into the situation stumble two fiends (Price and Rea) who recognize a quick way to earn money for cheap gin and the local harlot (Twiggy, miscast but not a bad performance) was grave robbing. Rather than steal dead bodies from graves, however, why not avoid the grave altogether? Killing any unfortunate who happened across their path, Pryce and Rea are soon Dr. Roc's best suppliers of fresh bodies. Science versus morality, need and ambition, truth before conscience are issues explored by the stellar ensemble cast. A superb film for any library.

DVD Review - The Mummy

Hammer Studios' greatest nemeses, Peter Cushing and Christopher Lee, once again square off in this reworking of Universal's The Mummy (with elements of The Mummy's Tomb and The Mummy's Ghost thrown in for good measure). Cushing stars as archeologist John Banning, whose dig for a lost tomb results in untold treasures but leaves his father a mumbling madman and marks the rest of the company for death. Lee is Kharis, a former high priest turned gauze-wrapped guardian of the tomb, a veritable Golem sent on a mission of vengeance by Mehemet Bey (George Pastell), a disciple of the ancient Egyptian god Osiris. The scenes at the archeological dig and the flashbacks to the ancient burial are stagebound and cheap looking, but Terence Fisher is back in familiar territory when the action relocates to the misty swamps and Victorian mansions of rural England. The towering, 6-foot-3-inch-tall Lee makes the most terrifying mummy to date. He covers ground in giant strides, smashes his way into rooms with heavy Frankensteinlike swipes of his arm, and takes shotgun blasts with barely a twitch--yet he melts from rage to calm at the sight of Banning's wife, Isobel (Yvonne Furneaux), a dead ringer for his dead Queen. The film is still most famous for it's tongue-removal scene, discreetly hidden from the camera but nevertheless shiver inducing. --Sean Axmaker

DVD Review - Hellraiser - Hellworld

Clive Barker's Gothic ghoul Pinhead is pitted against online gamers out for kicks in Hellraiser: Hellworld, the eighth entry in the popular horror franchise. A group of young computer-game enthusiasts crack the secret of Hellworld, a virtual-reality game based on the Hellraiser mythos, and earn themselves an invite to an exclusive party at a secluded and spooky mansion. There, the host (Lance Henriksen, always a welcome sight) reveals his elaborate collection of Hellraiser-related artifacts, as well as a hidden agenda regarding one of the gamers' friends, who died under sinister circumstances. Naturally, this fresh assortment of attractive young souls with an insatiable curiosity for the forbidden summons up Pinhead (Doug Bradley, natch) and his Cenobite friends to unleash their own brand of hell on Earth. Hellraiser devotees won't find any fresh ideas in the script, but veteran cinematographer Rick Bota (who helmed the two previous films in the franchise) provides attractive visuals, and the gore is plentiful and unpleasant. --Paul Gaita

DVD Review - The Nightmare on Elm Street Collection

In the trinity of modern horror films, there's the father (Michael Myers of Halloween), the son (Jason of Friday the 13th fame, a knockoff), and the unholy spirit, Freddy Krueger of the Nightmare on Elm Street films. The spectral man who haunted the nightmares of unsuspecting teenagers with deadly consequences, Freddy (as played by Robert Englund) was a truly frightening bogeyman and icon for the '80s. Unlike the hockey-masked Jason, who dispatched horny teenagers with mechanical and monotonous ease (he never talked, never took off his mask), Freddy was a truly creative and diabolical villain, with a sadistic and blackly funny personality. The hallmarks of the Nightmare on Elm Street series were imaginatively gruesome suspense pieces, set in the overactive imaginations of the teen victims. The first film of the series, Wes Craven's truly intelligent and scary film, was so hugely successful it begat not one, not two, but six more sequels, each pretty much diluting the originality and horror of its predecesor. (Horror fans will fondly remember Drew Barrymore's assertion in Scream that the first Nightmare film was great but all the rest sucked.) Still, there's fun to be had in the remaining films in the series, seeing as a number of aspiring filmmakers cut their teeth on the continuing saga of Freddy. Frank Darabont (The Shawshank Redemption) and Chuck Russell (The Mask) worked on the third installment, Dream Warriors (starring a young Patricia Arquette), and Renny Harlin (Die Hard 2) came to prominence with the ingeniously macabre fourth film, The Dream Master, coscripted by Brian Helgeland (L.A. Confidential). Craven and original star Heather Langenkamp did return for the last film, New Nightmare, which presaged the tongue-in-cheek postmodernism of the Scream films and resharpened Freddy's ability to scare. --Mark Englehart

DVD Review - Sideways (Widescreen Edition)

With Sideways, Paul Giamatti (American Splendor, Storytelling) has become an unlikely but engaging romantic lead. Struggling novelist and wine connoisseur Miles (Giamatti) takes his best friend Jack (Thomas Haden Church, Wings) on a wine-tasting tour of California vineyards for a kind of extended bachelor party. Almost immediately, Jack's insatiable need to sow some wild oats before his marriage leads them into double-dates with a rambunctious wine pourer (Sandra Oh, Under the Tuscan Sun) and a recently divorced waitress (Virginia Madsen, The Hot Spot)--and Miles discovers a little hope that he hasn't let himself feel in a long time. Sideways is a modest but finely tuned film; with gentle compassion, it explores the failures, struggles, and lowered expectations of mid-life. Giamatti makes regret and self-loathing sympathetic, almost sweet. From the director of Election and About Schmidt. --Bret Fetzer

DVD Review - The Innocents

The definitive screen adaptation of Henry James's The Turn of the Screw, the 1961 production of The Innocents remains one of the most effective ghost stories ever filmed. Originally promoted as the first truly "adult" chiller of the big screen (a marginally valid claim considering the release of Psycho a year earlier), the film arrived at a time when the thematic depth of James's story could finally be addressed without the compromise of reductive discretion. And while the Freudian anxiety that fuels the story may seem tame by today's standards, the psychological horrors that comprise the story's "dark secret" are given full expression in a film that brilliantly clouds the boundary between tragic reality and frightful imagination.
In one of her finest performances, Deborah Kerr stars as Miss Giddons, a devout and somewhat repressed spinster who happily accepts the position of governess for two orphaned children whose uncle (Michael Redgrave) readily admits to having no interest in being tied down by two "brats." So Miss Giddons is dispatched to Bly House, the lavish, shadowy estate where young Flora (Pamela Franklin) and her brother Miles (Martin Stephens, so memorable in 1960's Village of the Damned) live with a good-natured housekeeper (Megs Jenkins). At first, life at Bly House seems splendidly idyllic, but as Miss Giddons learns the horrible truth about the estate's now-deceased groundskeeper and previous governess, she begins to suspect that her young charges are ensnared in a devious plot from beyond the grave.

Ghostly images are revealed in only the most fleeting glimpses, and the outstanding Cinemascope photography by Freddie Francis (who used special filters to subtly darken the edges of the screen) turns Bly House into a welcoming mansion by day, a maze of mystery and terror by night. Sound effects and music are used to bone-chilling effect, and director Jack Clayton, blessed with a script by William Archibald and Truman Capote, maintains a deliberate pace to emphasize the ambiguity of James's timeless novella. The result is a masterful film--comparable to the 1963 classic The Haunting--that uses subtlety and suggestion to reach the pinnacle of fear. --Jeff Shannon

DVD Review - Hitch (Widescreen Edition)

Will Smith's easygoing charm makes Hitch the kind of pleasant, uplifting romantic comedy that you could recommend to almost anyone--especially if there's romance in the air. As suave Manhattan dating consultant Alex "Hitch" Hitchens, Smith plays up the smoother, sophisticated side of his established screen persona as he mentors a pudgy accountant (Kevin James) on the lessons of love. The joke, of course, is that Hitch's own love life is a mess, and as he coaches James toward romance with a rich, powerful, and seemingly inaccessible beauty named Allegra (Amber Valetta), he's trying too hard to impress a savvy gossip columnist (Eva Mendes) with whom he's fallen in love. Through mistaken identities and mismatched couples, director Andy Tennant brings the same light touch that made Drew Barrymore's Ever After so effortlessly engaging. As romantic comedies go, Hitch doesn't offer any big surprises, but as a date movie it gets the job done with amiable ease and style. --Jeff Shannon